Alessandro Scarlatti: Quella Pace Gradita - The Recorder and Violin Cantatas

In a new recording of music by Alessandro Scarlatti, Josetxu Obregón’s La Ritirata parades its dazzling vocal and instrumental talents in presenting the four cantatas which involve recorders and violins, together with an additional standalone soprano aria, for a further Glossa Neapolitan-flavoured release.

Drawn from his well over 800 secular cantatas these works combine fully-integrated, imaginative recitatives, expressive and dramatic arias and colourful and exacting instrumental sinfonias and ritornelli into elegant and compact wholes, and featuring poetic texts which typically followed the aspirations of the Accademia degli Arcadi literary circle initiated in Rome around the turn of the eighteenth century. The scene for Scarlatti’s prolific creativity is set by Stefano Russomanno in his booklet essay.

The vocal duties are assigned to three leading interpreters of today, mezzo Giuseppina Bridelli, countertenor Filippo Mineccia and soprano Alicia Amo. Rising here to the instrumental challenges set by Scarlatti are long-standing members of La Ritirata, Tamar Lalo (recorder) and Hiro Kurosaki (violin), who are joined on their respective instruments by Michael Form and Pablo Prieto. With cellist Obregón, Lalo and Kurosaki had been the leading soloists for La Ritirata’s recent Neapolitan Concertos for various instruments release.

Alessandro Scarlatti: Quella Pace Gradita - The Recorder and Violin Cantatas

La Ritirata & Josetxu Obregón

Alicia Amosoprano

Giuseppina Bridellimezzosoprano

Filippo Minecciacountertenor

Tamar Lalo, Michael Form, recorders

Hiro Kurosaki , Pablo Prieto, violins

Daniel Lorenzo, viola

Juan Carlos de Mulder, archlute

Daniel Oyarzabalharpsichord & positive organ

Josetxu Obregón, cello& artistic direction

Alessandro Scarlatti: Quella Pace Gradita - The Recorder and Violin Cantatas

E perché non seguite, o pastorelle

Chamber cantata for alto, two recorders, two violins and b.c.

01 (Sinfonia) 2:21

02 Recitativo: “E perché non seguite, o pastorelle” 1:13

03 Aria: “Fiumicel, tu lento” 3:14

04 Recitativo: “Ma di che mi querelo” 0:58

05 Aria: “È dolce quella piaga” 2:12

06 Recitativo: “Su le fiorite sponde” 0:58

07 Aria: “Lacci, e piaghe che tormentano” 1:36

 

08 Sconsolato rusignolo 5:19

Aria for soprano, with flautino, two violins, viola and b.c.

Filen, mio caro, h. 263 (“Filli che esprime la sua fede a Fileno”)

Cantata de cámara para alto, flauta, dos violines y bajo continuo

09 (Sinfonia) 2:06

10 Recitativo: “Filen, mio caro bene” 1:31

11 Aria: “Chiedi pur ai monti” 6:44

12 Recitativo: “Ma se prova bastante” 1:00

13 Aria: “Che ti sembra son fedele” 3:26

 

Quella pace gradita, h. 610

Chamber Cantata for soprano, recorder, violin, cello and b.c.

14 Sinfonia 4:32

15 Recitativo: “Quella pace gradita” 1:11

16 Aria con violino solo: “Crudel tiranno Amore” 5:27

17 Recitativo: “O voi selve beate” 0:56

18 Aria: “Care selve soggiorni di quiete” 2:34

19 Recitativo: “Lungi da me tiranno Amore” 1:14

20 Aria con violino e flauto: “Teco o mesta tortorella” 3:43

 

Tu sei quella, che al nome, h. 743 (“Bella Dama di nome Santa”)

Chamber cantata for alto, recorder, two violins and b.c.

21 Introduttione 3:10

22 Recitativo: “Tu sei quella, che al nome sembri giusta” 1:04

23 Aria: “Dal nome tuo credei” 3:49

24 Recitativo: “Fedeltade ne pur ottien ricetto” 1:32

25 Aria: “Il nome non vanta di santa colei” 3:59

Recorded in Torrelodones (Teatro Bulevar), Spain, in September/October 2018
Engineered by Federico Prieto and Manuel Prieto | Artistic supervision: Olivier Fourés
Edited by Olivier Fourés, Federico Prieto, Josetxu Obregón and Tamar Lalo
Producers: Josetxu Obregón and Tamar Lalo | Executive producer: Carlos Céster
Cover photos: Michal Novak | Photos of the recording sessions: Noah Shaye AudioVisuals
Tuning of the harpsichord and positive organ: Daniel Oyarzabal
Ensemble manager: Carlos Bercebal
Special thanks to the direction and staff of Teatro Bulevar in Torrelodones.

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